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Maralin Niska : ウィキペディア英語版 | Maralin Niska Maralin Niska (born November 16, 1926) is an acclaimed operatic soprano, well known as a singing-actress. Born in San Pedro, California, Niska studied under Louise Mansfield, Lotte Lehmann, and primarily Ernest St. John Metz. Niska sang extensively in southern California during the 1950s, including performances with the USC Opera, UCLA Opera, Los Angeles Opera, Redlands Bowl and other regional companies. Her extensive national and international career began at the opening of the Metropolitan Opera National Company as Susannah in the Carlisle Floyd work, in Indianapolis in 1965. She currently lives in Santa Fe, New Mexico, and is married to William Mullen. == New York City Opera == The soprano was first heard at the New York City Opera in the fall of 1967, as the Contessa Almaviva in ''Le nozze di Figaro'', with Norman Treigle in the title role. She went on to perform with that company in many productions, including ''La bohème'' (now as Musetta), ''La traviata'' (opposite Plácido Domingo), ''Madama Butterfly'', ''Pagliacci'', ''Suor Angelica'', ''Faust'' (in Frank Corsaro's production, with whom she would often collaborate), ''Prince Igor'', ''The Turn of the Screw'' (as the Governess), ''La bohème'' (as Mimì, with George Shirley and Carol Neblett), ''The Makropoulos Case'' (with Harry Theyard and Chester Ludgin, directed by Corsaro), ''Susannah'' (with Treigle), ''Tosca'' (with José Carreras), ''Don Giovanni'' (as Donna Anna, conducted by Bruno Maderna), ''Don Giovanni'' (now as Donna Elvira, with Richard Fredricks and Richard Stilwell alternating in the name part), ''Ariadne auf Naxos'' (as the Composer, staged by Sarah Caldwell), ''Médée'' (in the Italian version), ''Manon Lescaut'', ''Salome'' (conducted by Julius Rudel), ''Idomeneo'' (as Elettra), a double-bill of ''Cavalleria rusticana'' and ''Pagliacci'' (in which she sang both Santuzza and Nedda), ''La voix humaine'', ''La fanciulla del West'', ''Die Fledermaus'' (as Rosalinde), and ''Maria Stuarda'' (as Elisabetta). In all she sang 29 leading roles with the company, the most of any singer in its history.
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